Italian National Cinema : 1896-1996 / Pierre Sorlin |
Autore | Sorlin, Pierre |
Pubbl/distr/stampa | London ; New York : Routledge, 1996 |
Descrizione fisica | 202 p. : ill. ; 23 cm |
ISBN | 041511697X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNISOB-SON0002031 |
Sorlin, Pierre | ||
London ; New York : Routledge, 1996 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Suor Orsola Benincasa | ||
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Italian national cinema 1896-1996 [[electronic resource] /] / Pierre Sorlin |
Autore | Sorlin Pierre |
Pubbl/distr/stampa | London ; ; New York, : Routledge, 1996 |
Descrizione fisica | 1 online resource (213 p.) |
Disciplina | 791.43/0945 |
Collana | National cinemas series |
Soggetto topico | Motion pictures - Italy - History |
Soggetto genere / forma | Electronic books. |
ISBN |
1-280-50607-5
0-203-13466-4 9786610506071 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
""Italian National Cinema 1896�1996""; ""Copyright""; ""Contents""; ""List of illustrations""; ""Acknowledgements""; ""Introduction""; ""An international business""; ""Seeking �national� characters""; ""Building a cinematic culture""; ""Five generations of cinema-goers""; ""1 First generation: The world in a dark room""; ""Cinema-going as a social activity""; ""Filmopoli: the birth of an industry""; ""'Excelling in the stage-handling of a great number of people�""; ""Technicians and stars, from Serafino Gubbio to Valeria Nestoroff""; ""Cabiria, masterpiece of historical films""
""Assunta Spina, or the spell of conventions""""Fantasies""; ""2 Second generation: Their master�s voice""; ""War: beyond any reasonable expectation""; ""Maciste in power""; ""The end of Filmopoli""; ""Now they�re talking""; ""�The times when we were discovering America . . .�""; ""Making their own films""; ""3 Third generation: The most popular form of entertainment""; ""God and Mammon""; ""�I went to the pictures almost every day�""; ""The limits of consensus""; ""A state affair""; ""Neorealism: the myths""; ""Neorealism: the films""; ""What made spectators tick?"" ""A rosy Neorealism?""""Serious jests""; ""4 Fourth generation: The sweet life""; ""Faith is the miracle""; ""Comedy Italian style""; ""Big money, great films?""; ""A season for awards""; ""Vulnerable fathers, dangerous women""; ""Where is Italy to be found?""; ""5 Fifth generation: The world in the box""; ""A hundred television channels""; ""�A giant film society, operating 365 days a year�""; ""The power of speech""; ""The gaze of a video camera""; ""Men, years, life""; ""The film show is over""; ""Conclusion""; ""Notes""; ""Filmography""; ""Select bibliography""; ""Index of films"" ""Index of names""""Subject index"" |
Record Nr. | UNINA-9910450610703321 |
Sorlin Pierre | ||
London ; ; New York, : Routledge, 1996 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Italian national cinema 1896-1996 [[electronic book]] |
Autore | Sorlin Pierre |
Pubbl/distr/stampa | London, : Routledge, 1996 |
Descrizione fisica | 1 online resource (213 p.) |
Disciplina | ELECTRONIC BOOK |
Collana | National cinemas series |
Soggetto topico | Cinema: Italy: history |
ISBN |
1134817770
1280506075 0203134664 9786610506071 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910782948603321 |
Sorlin Pierre | ||
London, : Routledge, 1996 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Italian national cinema 1896-1996 [[electronic book]] |
Autore | Sorlin Pierre |
Edizione | [1st ed.] |
Pubbl/distr/stampa | London, : Routledge, 1996 |
Descrizione fisica | 1 online resource (213 p.) |
Disciplina | ELECTRONIC BOOK |
Collana | National cinemas series |
Soggetto topico | Cinema: Italy: history |
ISBN |
1134817770
1280506075 0203134664 9786610506071 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover -- Italian National Cinema 1896-1996 -- Copyright -- Contents -- List of illustrations -- Acknowledgements -- Introduction -- An international business -- Seeking 'national' characters -- Building a cinematic culture -- Five generations of cinema-goers -- 1 First generation: The world in a dark room -- Cinema-going as a social activity -- Filmopoli: the birth of an industry -- 'Excelling in the stage-handling of a great number of people' -- Technicians and stars, from Serafino Gubbio to Valeria Nestoroff -- Cabiria, masterpiece of historical films -- Assunta Spina, or the spell of conventions -- Fantasies -- 2 Second generation: Their master's voice -- War: beyond any reasonable expectation -- Maciste in power -- The end of Filmopoli -- Now they're talking -- 'The times when we were discovering America . . .' -- Making their own films -- 3 Third generation: The most popular form of entertainment -- God and Mammon -- 'I went to the pictures almost every day' -- The limits of consensus -- A state affair -- Neorealism: the myths -- Neorealism: the films -- What made spectators tick? -- A rosy Neorealism? -- Serious jests -- 4 Fourth generation: The sweet life -- Faith is the miracle -- Comedy Italian style -- Big money, great films? -- A season for awards -- Vulnerable fathers, dangerous women -- Where is Italy to be found? -- 5 Fifth generation: The world in the box -- A hundred television channels -- 'A giant film society, operating 365 days a year' -- The power of speech -- The gaze of a video camera -- Men, years, life -- The film show is over -- Conclusion -- Notes -- Filmography -- Select bibliography -- Index of films -- Index of names -- Subject index. |
Record Nr. | UNINA-9910814509503321 |
Sorlin Pierre | ||
London, : Routledge, 1996 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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